Movement in the Box: The Production of Surreal Social Space and the Alienated Body (Joel Hawkes).Pages 149-168 ‘Here’s to the Pie That Saved Your Life, Dougie’: The Weird Realism of Twin Peaks (Ryan Coogan).Pages 135-148 ‘My Log Has a Message for You,’ or, Vibrant Matter and Twin Peaks: On Thing-Power and Subjectivity (Anthony Ballas).Pages 119-133
‘Between Two Mysteries’: Intermediacy in Twin Peaks: The Return (Thomas Britt).Pages 107-118
‘Is It About the Bunny? No, It’s Not About the Bunny!’: David Lynch’s Fandom and Trolling of Peak TV Audiences (David McAvoy).Pages 85-103 ‘The Owls Are Not What They Meme’: Making Sense of Twin Peaks with Internet Memes (Brigid Cherry).Pages 69-84 Lucy Finally Understands How Cellphones Work: Ambiguous Digital Technologies in Twin Peaks: The Return and Its Fan Communities (Jeffrey Fallis, T. Is It Happening Again? Twin Peaks and ‘The Return’ of History (Matthew Ellis, Tyler Theus).Pages 23-36Įxtraterrestrial Intelligences in the Atomic Age: Exploring the Rhetorical Function of Aliens and the ‘Alien’ in the Twin Peaks Universe (Elizabeth Lowry).Pages 37-51 Entering the World of Twin Peaks (Antonio Sanna).Pages 3-21
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